EIDOLONS Walt Whitman

I met a seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense,
To glean eidolons.
Put in thy chants said he,
No more the puzzling hour nor day, nor segments, parts, put in,
Put first before the rest as light for all and entrance-song of all,
That of eidolons.

Ever the dim beginning,
Ever the growth, the rounding of the circle,
Ever the summit and the merge at last, (to surely start again,)
Eidolons! eidolons!

Ever the mutable,
Ever materials, changing, crumbling, re-cohering,
Ever the ateliers, the factories divine,
Issuing eidolons.

Lo, I or you,
Or woman, man, or state, known or unknown,
We seeming solid wealth, strength, beauty build,
But really build eidolons.

The ostent evanescent,
The substance of an artist's mood or savan's studies long,
Or warrior's, martyr's, hero's toils,
To fashion his eidolon.

Of every human life,
(The units gather'd, posted, not a thought, emotion, deed, left out,)
The whole or large or small summ'd, added up,
In its eidolon.

The old, old urge,
Based on the ancient pinnacles, lo, newer, higher pinnacles,
From science and the modern still impell'd,
The old, old urge, eidolons.

The present now and here,
America's busy, teeming, intricate whirl,
Of aggregate and segregate for only thence releasing,
To-day's eidolons.

These with the past,
Of vanish'd lands, of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors' voyages,
Joining eidolons.

Densities, growth, facades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave,
Eidolons everlasting.

Exalte, rapt, ecstatic,
The visible but their womb of birth,
Of orbic tendencies to shape and shape and shape,
The mighty earth-eidolon.

All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending, serving their longer, shorter use,)
Fill'd with eidolons only.

The noiseless myriads,
The infinite oceans where the rivers empty,
The separate countless free identities, like eyesight,
The true realities, eidolons.

Not this the world,
Nor these the universes, they the universes,
Purport and end, ever the permanent life of life,
Eidolons, eidolons.

Beyond thy lectures learn'd professor,
Beyond thy telescope or spectroscope observer keen, beyond all mathematics,
Beyond the doctor's surgery, anatomy, beyond the chemist with his chemistry,
The entities of entities, eidolons.

Unfix'd yet fix'd,
Ever shall be, ever have been and are,
Sweeping the present to the infinite future,
Eidolons, eidolons, eidolons.

The prophet and the bard,
Shall yet maintain themselves, in higher stages yet,
Shall mediate to the Modern, to Democracy, interpret yet to them,
God and eidolons.

And thee my soul,
Joys, ceaseless exercises, exaltations,
Thy yearning amply fed at last, prepared to meet,
Thy mates, eidolons.

Thy body permanent,
The body lurking there within thy body,
The only purport of the form thou art, the real I myself,
An image, an eidolon.

Thy very songs not in thy songs,
No special strains to sing, none for itself,
But from the whole resulting, rising at last and floating,
A round full-orb'd eidolon.

:]

Great 'out louder'... Very thank you. Eidolons, eidolons

Reposting from here.

I read at a full military funeral for Viet Vet very close bud. An Army Ranger. He just fell over backward at the cash register at Appleby's. Six days in we gathered around and pulled his tube.... This is a good damned poem should teach us all something. Positive art.


TRACT

I will teach you my townspeople
how to perform a funeral
for you have it over a troop
of artists—
unless one should scour the world—
you have the ground sense necessary.

See! the hearse leads.
I begin with a design for a hearse.
For Christ's sake not black—
nor white either — and not polished!
Let it be whethered—like a farm wagon—
with gilt wheels (this could be
applied fresh at small expense)
or no wheels at all:
a rough dray to drag over the ground.

Knock the glass out!
My God—glass, my townspeople!
For what purpose? Is it for the dead
to look out or for us to see
the flowers or the lack of them—
or what?
To keep the rain and snow from him?
He will have a heavier rain soon:
pebbles and dirt and what not.
Let there be no glass—
and no upholstery, phew!
and no little brass rollers
and small easy wheels on the bottom—
my townspeople, what are you thinking of?
A rough plain hearse then
with gilt wheels and no top at all.
On this the coffin lies
by its own weight.

No wreathes please—
especially no hot house flowers.
Some common memento is better,
something he prized and is known by:
his old clothes—a few books perhaps—
God knows what! You realize
how we are about these things
my townspeople—
something will be found—anything
even flowers if he had come to that.
So much for the hearse.

For heaven's sake though see to the driver!
Take off the silk hat! In fact
that's no place at all for him—
up there unceremoniously
dragging our friend out to his own dignity!
Bring him down—bring him down!
Low and inconspicuous! I'd not have him ride
on the wagon at all—damn him!—
the undertaker's understrapper!
Let him hold the reins
and walk at the side
and inconspicuously too!

Then briefly as to yourselves:
Walk behind—as they do in France,
seventh class, or if you ride
Hell take curtains! Go with some show
of inconvenience; sit openly—
to the weather as to grief.
Or do you think you can shut grief in?
What—from us? We who have perhaps
nothing to lose? Share with us
share with us—it will be money
in your pockets.
Go now
I think you are ready.


by William Carlos Williams