I've seen a few accounts of people noticing a "vibration" or "frequency" change occurring.

I was curious about this because I had experienced this as well, and wanted to start further educating myself on the subject.

According to available information, it seems as though N,N-DMT interacts with the S1 receptor which modulates calcium signalling through the IP3 receptor.

The IP3 Receptor (quoting this from wikipedia) seems very interesting to me.

"There is strong evidence suggesting that the InsP3R plays an important role in the conversion of external stimuli to intracellular Ca2+ signals characterized by complex patterns relative to both space and time, such as Ca2+ waves and oscillations."

I'm assuming they learned this from DMT perhaps?

It also interacts with learning, and memory...

I am not a neuroscientist, so I don't claim to know exactly how the interactions are taking place, but I do understand at a cursory level how neurotransmission works from a few semesters of psychology. Not totally ignorant, but definitely not competent on the subject. (It's been some years since college )

With that said...

Has anyone tried to actively control or influence this modulation mentally? I saw a post regarding the use of binaural beats...and that also seems interesting. (I'll have to try that)

From my experiments / findings with this concept, it definitely seems like the rate at which this frequency occurs, correlates to the rate of information being processed / received during the DMT experience. And the type of information being received.

When I tried pure DMT for the very first time, I had no idea about any of this. (All I knew [with regards to physical interactions taking place] is that it was reported safe according to current research, and that no physical harm should take place)

The frequency I experienced was at an unregulated, extremely high level. And the amount of information I was bombarded with was impossible to decipher. It was like watching static on an old T.V. I didn't see anything at all really. It was just white noise, and it gave me a headache...

But as my brain grew accustomed to the process, I noticed the frequency not being quite as high, and there were lower overtones mixed in. It was at this point, I then started experiencing, and remembering what took place.

I have a bit of mild tinnitus, I always have a slight ring, and I noticed that this ring is also modulated by the DMT experience. (It's frequency goes up as well) So I think it's definitely more of a physical / mechanical response taking place.

With the notion that this frequency was subject to change...I made an effort to try an enact the change myself.

During a moderate dose, I imagined myself like a throttle, tilting my mind one way to speed up, and the other way to slow-down. And there was a definite response, surprisingly...

During this experience, I was able to throttle it all the way down to almost full-stop. And at that point, my conscious mind gained a level of input with regards to the experience.

The imagery was no longer being forced upon me, and I was able to create and paint freely, according to my thoughts and imagination...Whether this was an illusion of control or not...I felt like I had some active input now.

It's a very curious molecule, and we have very curious brains...I'm interested to see what other's may have experienced with this. Or might experience with this given the idea...

Having further delved into this subject...I've found some more interesting things.

It seems there's a range of resonant frequencies in which the body resides.

It's said that when all of your energy states (chakras) are in total harmony, this frequency sits at around 7-10hz. The frequency of our earth, has apparently been measured at around the 7 hz mark. Since we were born from this earth...that correlation seems very natural to me...

Some fun questions arise.

Does being able to consciously / unconsciously adjust our resonant frequency through the use of DMT and other psychedelics, allow us to experience these different states of consciousness, and possibly dial in our own experiences?

Does this low-frequency state possibly represent our current place on the evolutionary scale? Some ideas refer to light as being the pinnacle form of existence, where beings manifested as light might be considered at the tippy top of this scale...

The frequency of visible light is referred to as color, and ranges from 430 trillion hertz, seen as red, to 750 trillion hertz, seen as violet...

If that's the case...looks like we just got started...ha.

By extension, is our current / natural frequency, the default frequency required for experiencing and understanding the physical, 3-dimensional world around us?

Do entheogens force an increase with regards to this frequency or possibly remove the limiter, so that we may able to think at this higher (or lower) frequency...and possibly connect and broadcast with more evolved / advanced consciousness that resides on higher frequencies?

Is this why there's a feeling of leaving both body and ego behind during these experiences, because their normal resonant frequency is simply too low to be brought with...?

I’ve always had a ringing in my ears, and I can control how loud it is, it tends to be super high pitched and annoying when I smoke weed, which I think sorta agrees with the ideas you’ve proposed, because it’s a different pitch depending on how high I am, actually I have been using it as sort of a gauge to stop me from greening out because I’ve noticed there’s a certain pitch it hits and I pass out 7 out of 10 smoke sessions.

I don't know if this will be helpful to you or not... I really have no clue how to answer your questions but I have played around and experimented quite a bit with DMT and sound.

When I close my eyes I can almost hear that weird beep-boop-beep-boop change of frequency that often accompanies my DMT trips. I feel like the noises I hear in hyperspace I tend to remember, unlike much of the rest which seems to fall away rather quickly for me. I seldom can remember good chunks of my experiences, usually it is like coming out of a dream and it fades off. So why do I remember the sounds so much easily?

It's a frequency thing I feel. I feel like it's just like music with octave and pitch. I feel like it represents something. It just a feeling.. like they are playing music over there or something... At least playing with sound and frequency. I often see entities building things out of nothing with sound. They make weird jibberish sounds and create. So dang weird...

The other way around I have influenced my DMT journeys with sounds including binaural beats. I have used white noise, brown noise, red noise, pink noise, blue noise and every other color noise I could get my hands on. I tried chanting and tibetan singing bowls. I tried classical to death metal music, even rap. I found that in some cases I would forget what music was. I would hear these tones and sounds but couldn't make heads or tails of it. Like I could not recognize music. As I would be coming out of the experience I would slowly remember who and what I am and oh yeah... I put on some music before I took off to hyperspace.

I found that during the experience the sound that was chosen would in fact incorporate itself into the experience. Some of the beep-boop sounds and other odd things I was hearing in hyperspace were likely caused by this misinterpretation of sound, in other words, auditory hallucinations but twisting existing sounds and perhaps overlaying with true auditory hallucinations.

My conclusion is that the same frequecies exist here and in hyperspace. Sound seems to carry over to hyperspace with relative ease. It's a connection in some way from what I have experienced. Sounds and frequency seem to alter or influence the DMT experience.

I should have taken experimention notes now that I am thinking about it. Perhaps I will revisit this experiment again in the future, only write it all down for reference.

P.S.
You may find this short article interesting..just a little bit about the colors of noise and how they can influence the world. https://www.theatlantic....ise-sound-colors/462972/

All good, they were just fun questions...

A hobby of mine is electronic music production. I found the article quite interesting, thanks!

Music producers often use shapes and colors to describe sounds...it might seem weird, but somehow it makes sense.

My favorite sound for example, is a supersaw. It's formed using triangle or tooth-like waveforms. It's typically a warm and fuzzy sound. If it were to be a color, it'd sound like red/yellow/orange, which makes sense, as those are colors associated with heat / warmth. The sun, infrared, etc...

Here's a pretty clean example of favoritist supersaw sound that I've made using sylenth1. http://www.mediafire.com...xh4j94eejfx/Sylenth1.mp3

I find synesthesia fascinating...not everyone experiences it either. (Bummer, it's an interesting experience)

I also know what you mean by altered perception of sound on DMT. Sometimes the link to memory gets lost, or scrambled. I've listened to EDM while blasting off, and the sound becomes impossible to perceive. I've also noticed heavy warping of physical sound input. (I've cut back on venturing into DMT states with music...)

I think you are on the right track.

A few other little puzzle pieces:

People on breakthrough doses of DMT display brainwave frequencies in the Theta range (4-7 Hz). This frequency is also often found in young children and associated with REM sleep and deep states of meditation among adults.

An EEG measures macroscopic oscillations, basically the collective frequency of neural interactions composed of the membrane and action potentials of independent neurons harmonizing with one another, like a symphonic orchestra.

The S1 sodium gating activity you discuss should effect the membrane potential of neurons at the individual level, in turn effecting the macroscopic oscillation, or tuning up the instruments to change the orchestral score.


Some practices I've found to be remarkably profound at effecting change within the tryptamine state are playing or listening to the didgeridoo or singing bowls, and throat singing and other forms or vocalization.

I think this area is certainly worthy of further exploration.