My 12/12/12 at 12:12:12 DMT experience was one of the most unique and amazing experiences I could ever be so lucky to have. I tried to time it out perfectly. I set two alarms just to make sure I wouldn't forget or be asleep or anything. Unfortunately Wednesdays the landscapers outside are incredibly noisy, and I realized that they would coincide with the experience, but I was determined. I decided I would listen with music. I typically don't like to journey with music anymore, especially if I know I'm trying to go big because I don't want the music to obscure any important messages or beautiful audio hallucinations that hyperspace can have to offer, but left with the difficult decision of being distracted or startled by loud landscapers (and thus throwing off the entire experience) verse listening to music, I decided to go with the music.

Before I started, I set a very broad set of intentions of learning, growth, loving, positivity and some grand 12/12/12 vision, and that's pretty much exactly what I got. I loaded up a hefty amount of pure white fluffy goodness in the GVG. I typically don't get pre-flight anxiety too bad anymore, but man, my heart was beating harder than ever.

I can't remember precisely how it started (nothing new there), but relatively quickly I found myself looking at these beautiful crystal clear Godhead "cog-bells". They were aligning themselves with me and the colors were beyond all the super-hyper colors I have come to see in my close to around 1000 DMT experiences. The way that the holographic machinery smoothly shifted from the most delicate purples into the most precious, heart-clutching oranges. I've come to theorize that I think part of what makes some of the colors (not all, but some) from hyperspace so surrealistic has to do with the holography element to the experience - that you can perceive a variety of colors in the same place thanks to the amazing holographic phase relationships of the concurrent, co-existing colors.

That was phase one of the experience which was simply hands-down, no comparison for phase two! Somehow the Godhead cog-bells ended up coalescing to create what seemed like some kind of underground Egyptian layer. I became entirely enveloped in a floaty, weightless realm of Egyptian love. A pharaoh-esque character descended from the ceiling of the chamber to embrace me. The entire environment was so incredibly warm, sensual and tantalizing. Splashes of harmony in the music I was listening to would give way to brilliantly tessilated Egyptian birds. They were very much like the wings and tessilations from this famous sarcophagus. I felt like I was allowed so much time there, I was so incredibly grateful, and thanked aloud whatever forces were responsible, and let a couple squeals of joy slip that I couldn't manage to fully contain
Put simply, I just could not have asked for a better 12/12/12 experience.

very nice..sounds beautiful global

thanks for sharing <3

I really like this description, putting it in terms of holography captures something about the DMT experience that defies description in subject/object terms.

That was and sounds like a mind-blowingly incredible experience..

Thanks for sharing.

A funny thing too I remember now was during the entire first phase of the experience, I had the constant sensation that the ear buds were on the verge of falling out. Everything was so beautiful and perfect, I was too scared to reach up to fix them, for fear that I might derail things. On the other hand, had they fallen out, that really would have thrown the entire experience out of whack and off course, so I really felt like I was teetering on the fence so-to-speak which was heightening the tension. As soon as the Egyptian sequence started right around when the second song commenced, I managed to reach up and set things straight, and everything obviously unfolded perfectly from there. There can really be so many difficulties with listening to music, I just usually choose not to anymore. It can be more trouble than it's worth. I still wonder what sounds I would have heard or what I messages I may have received had I not been listening to music, and it's a choice that unfortunately my ego just won't let me live down, even though in this case it was deemed to be a necessary one due to the landscapers and the rather strict time restriction I imposed on myself (12:12:12)

What a gift of an experience, Global. Thanks for sharing

The part of your trip when the birds coincided with the music in your ears sounds incredible. I used to have hieroglyphics and other Egyptian related architecture run through my trips. Haven't had anything like that appear in a while. Actually, I did have Aztec figures appear during a journey a few months ago, but I am finding my trips are becoming more and more alien as time passes.

I thought about launching at that exact time myself, but decided I would save the last of my spice for the plunge on the 21st. Wise move I think...

Indeed. I have enough to smoke before then, but I've decided not to smoke any between the 12th and the 21st which is typically longer than I would go, but I want to keep the chances as high as possible for an epic, special journey on the 21st. It just has to be a significant experience. I'll keep on going up as much as I have to (or add some harmine in the mix) to make sure I have a tale to speak of coming out of that

It's tough when we put big expectations on the experience. Chiding yourself over the music decision is pretty pointless... Like all DMT trips, the experience unfolded just as it was meant to. Who knows, perhaps the music added important elements to the trip.

I was once derailed from a key point in the peak of an Aya journey by a car alarm. And I've occasionally regretted not having music playing at the time. But how can you predict these things? Best to just let go and accept the whole package.

Any way you could sketch those cog-bell things...? As an animation that might actually be doable.

I have a vague memory recreation of what they're like. As some of the more "sacred" machinery in hyperspace, its quite multidimensional, and would be quite difficult I might think. I was however thinking of looking into recreating one of the rooms of this mansion in hyperspace I frequently visit (a child's bedrooms to be exact) as it has interesting yet simplistic elements.

So when you say "cogs", you aren't necessarily meaning round rotating things with teeth... But maybe a different kind of fitting-together-while-moving thing? Evolving dynamic higher dimensional objects with intermeshed intermediary elements?

Great report Global! I love reading your reports, as they're always very descriptive and beautiful. Thank you for sharing.

I've had many experiences without music but find that music 'in some way' drives the experience, how exactly im not too sure. Either the music has a direct entanglement and thus feeds the experience per say, or in some way music facilitates an upsurge of various emotions within us which in turn 'might' influence hyperspace in various ways. Either way..its amazing.

Tat Tvam Asi

Oh I agree 100%. They can be some of the most ecstatic occasions, and I've had plenty to go 'round. I just find myself in an intention-based mind set nowadays to be a little less hedonistic and a bit more open and receptive to experience in and of itself and the messages it has to offer.



I know the kind of cogs you are referring to, and I've seen those a good deal throughout my experiences, but no, these were different and was why I tried to come up with the label "cog-bell" because it's not your typical machinery. There are certain patterns that only emerge with the Godhead for me, and these are one set of them. Your description is fairly accurate. They're like these large holographic interlocking keys of sorts perhaps. Extremely grand as if it were on display at an idealized showcase gallery at the most ridiculous sunset ever kind of deal

Awesome TR, dude.

Wow over 1000 trips?! Please tell me you have each and every one documented!

My last experience yielded some interesting Egyptian themes. One time with Ayahuasca, I was in Egypt, flying into the Pyramids that launched me into the stars.

I like how you described the holographic aspect of the colors. Would you mind sharing what you were listening to? Just curious is all, and no need to answer if your musical tastes are personal

I have not yet smoked DMT with auditory stimulation. Only silence. I think my next one will be with music just to try it out.

Thanks for sharing!

For the first year and a half or so I would do it a lot of days of the week, often multiple times each day so it begins to add up quick. A lot of them were either mediocre or uninteresting, often due to poor vaporization technique, particularly in the early days. I don't have all of them documented, but there are certainly a variety of the more interesting and important ones scattered around the Nexus.

That's fascinating with your ayahuasca vision to have a hyperspace connection of the Pyramids and the stars. There is much evidence of their alignment with the stars, so it's intriguing for you to have a vision in this category.

I'll tell you the music I was listening to, though I don't know if you'd find it helpful cause it's not under the "typical" category of what people 'round these parts seem to listen to on DMT. I was listening to Queen. Most people prefer to listen to music without lyrics, but I don't seem to notice or get too caught up in the semantic content. Some argue that music of such sorts could be too "grounding" but clearly in my experience it proved to be anything but...nothing was stopping that train from rolling on through. The specific tracks I listened to were live performance off the live album "Live Killers" of "Don't Stop Me Now" and "Spread Your Wings". I had only intended to listen to "Don't Stop Me Now" and only picked that track because of success that I had with it back when I used to journey with music because in this particular live version, I recall my body becoming heavily physically entrained through a building rhythmic groove throughout the song. For me, it just works like a charm, even though it doesn't seem like it should be an ideal DMT song. I expected the experience to only last through "Don't Stop Me Now", but I had enough fuel in me for two songs, so right around when the "Spread Your Wings" started was when the Egyptian phase of the experience kicked in.

Don't Stop Me Now (Live)

Spread Your Wings (Live)

That's actually a great album. Haven't heard it in years but I remember how so many of the tracks just merge from one to the next seamlessly. It's both melodic and powerful.

My favorite DMT soundtrack to date has been the summer sounds at the gazebo in our garden: babbling fountain with a rich tapestry of crickets, cicadas and frogs. Rhythmic yet organic. That gazebo is where I'll usually do my business, weather permitting.