thEorEtical wrote: Let's talk about one of the most important factors to any trip, specifically DMT in this discussion though. I would like to hear about everyones favorite places or settings to blast off. I mean everything from what do u keep around you and for what purpose, and how do u feel it has affected ur journeys. Do u like well, lit dimly lit or dark rooms, do u like being outside or inside. Just everything, anything. Candles, incense, rocks, tapestries... Whatever. Let's hear about it. Peace Love and Travels.
I ring my 9 solfeggio tuning forks 9 times each. I have a small variety of crystals and orgonite structures as well as a wooden frame of a pyramid in proportion to the Great Pyramid at Giza. I know that so many people prefer dim or indirect lighting, but I prefer well lit rooms to accentuate and clarify color and detail.
I enjoy the enclosed space of an indoor room (usually my bedroom) as I've noticed it has a very direct effect on my experience because even with closed eyes, the closed-eye space retains the boundary dimensions of the room I'm in. I even have preferences for how close or far away I am from specific walls in the room, as it can create quite the difference which way I'm facing even if my eyes are closed. If I'm outside, then all the energies and DMT objects are gigantic and expansive (which can be nice in itself), but it feels more purposeful and intimate inside.
Although I've had numerous ecstatic experiences with music, I've come to prefer silence because if it's gonna be a special trip such as contact with a deity or if there's important "verbal" information to be gathered, much of it will be overpowered by the music whether that means not being able to hear the information or that it domineers hyperspace in such a way that the experience doesn't unfold in the way that it was originally intended to which can mean not ending up where you were supposed to (which may turn out to be vitally important), so as a result, I just prefer not to travel with music much anymore.
That's all I can really think of right now in terms of the setting. I know you didn't ask about set, and perhaps most think it's somewhat obvious that one should be in a good mood, and clear-headed and this and that before going into an experience, and I don't intend for anyone to go overboard with this information (and it's not a suggestion - just information about my own experiences), but I've noticed recently that it seems like not having the "perfect set" seems to be working wonders for me. Often times, I can be in an "ideal set" and things will go terribly awry. Lately, I've been purposefully traveling when I feel not that fantastic, a bit run-down, exhausted, fatigued, and this has been taking me miles. It seems that some of the most positive and sacred experiences are immediately preceded by negativity. I feel like I use this highly charged negativity as a sort of fuel to allow hyperspace work its positive magic. This seems to run counter to traditional set/setting theory, but I figured I would share my observations.
"Science without religion is lame. Religion without science is blind" - Albert Einstein
"The Mighty One appears, the horizon shines. Atum appears on the smell of his censing, the Sunshine- god has risen in the sky, the Mansion of the pyramidion is in joy and all its inmates are assembled, a voice calls out within the shrine, shouting reverberates around the Netherworld." - Egyptian Book of the Dead
"Man fears time, but time fears the Pyramids" - 9th century Arab proverb