EDIT: Unfortunately the original file I uploaded still had some garbage (unused) samples in it, so i've removed them now
and re-uploaded the track. The part I was interested in wasn't the little goa loop (thats one of mine btw) or the dance samples
(they're bog standard FL) but the massive verby bass resonator effects setup.
Anyhoo:Interesting response guys. Im finding it hard to beleive that a few people now have been like 'props' and 'cool sound brother'.
I became quite interested in pushing the software to the max a while back:
Im pretty sure you can do feedback with the mixer alone but most times I just use a cable from the soundcard output->input.
Peak controllers are very useful, creatively, you can have them control allsorts of things; in inverted, log-scale
or whatever formulae you want. As of yet I have been unsuccessful in acheiving the waveform-flip cancelation thing,
you know, getting two waves to cancel eachother leaving only the difference between them... although I have done some
experiments into this.
@Stevowitz: I 'made' it yeah, its more generated from a small sample though. then the peak controllers
sweep the filters. Sorry for the long sample, I would have just put it in loop mode and looped a very short part but the
peak controllers don't oscilate propperly unless they're in song mode. If you tweak the feed mix, you'll see that the whole
thing is very sensitive to input, but swells and falls in a very satsifying way.
Hey - does anyone else know any other ways to push the boundaries in FL studio? carving tracks out of white noise?
self-oscilating self-stabilizing macromachines built from effects and controllers? wheeeeeeeeeeeeeeeeeeeee!!!
shoe
ॐ भूर्भुव: स्व: तत्सवितुर्वरेण्यं । भर्गो देवस्य धीमहि, धीयो यो न: प्रचोदयात्
Love, Gratittude, Compassion, Fearlessness!