I never liked doing extractions in a milk jug, their opaque and when your trying to dodge an emulsion layer it can be difficult to see where one layer starts and another ends.
I decided to give Ball Mason Jars a try and the 900ml jars are perfect for doing a small 50 gram extraction. These jars worked well for 4 extractions.
On the fifth extraction I was using 50 grams MHRB, 750ml of water, and 50 grams of lye, in each jar. after the first pulls all seemed well, until I picked up a capped jar to let the naptha roll around in the jar. No shaking involved. As I did this I noticed it had pressure cracks, and I had to get it immediately into another container.
I put in a large pyrex vase, I had at my flameworking station. Although the one jar held I can't stress it enough that you don't want to use Ball Mason Jars.
Being a flameworker/glass blower I know a little bit about glass and its behavior when heated or cooled to fast. Pyrex is stable at 1150 degrees this allows you to work on a piece, stick it in the kiln at 1150 then place that glass back in the flame without it cracking.
When pyrex is cooling, (and the temp. drops below 450, depending on thickness, though I wait longer,) it can be taken out of the kiln and left to cool on a graphite plate. Pyrex can withstand extreme thermal reactions, making it the perfect choice for extraction and collection vessels.
Other than clear HDPE jugs what other vessels are safe and easy to use, as far as seeing layers very clearly, for decanting? If some more experienced members can chime in I would greatly appreciate it. Thanks
Until I get a good clear HDPE jug I'll be sticking to pyrex, but would love to hear some other suggestions.
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